The Getaway (1972)

Review The Getaway

If you watch as many movies as I do, it colors the way you experience other films. Whether you’d want to or not you make connections, start guessing how the story will unfold and you hope that you will be surprised. Especially when watching older films you notice the impact of modern films on what you’ve come to expect. The biggest difference usually is the tempo, which is much slower with longer shots. Different techniques are used as well. The Getaway has moments that are typical for the seventies. You immediately notice this at the start of the film, where the only thing you hear is the annoying sound of a machine, played against imagery which stops with a freeze frame. Blood looks different (more like red paint). These are probably things a modern audience won’t appreciate anymore, but I love the nostalgic factor of them. Continue reading